Download your own HERpothesis coloring pages!
Coloring is awesome: it’s creative, fun, colorful, and easy to turn into a social activity. All you need is a bucket of crayons and a crew of people ready to color. This is why HERpothesis paired up with Cookie and Coloring Club at NYU’s Gallatin School of Individualized to for a HERpothesis coloring event! We turned a few illustrations from the HERpothesis site into coloring pages and let the fine people of Cookies and Coloring make them their own. Check out some photos from the event below! Keep scrolling to find the coloring pages we used at the event, so you can create your own HERpothesis art. Send a picture of your creation to firstname.lastname@example.org so we can share your coloring masterpiece on our social media.
Editor-in-Chief Continue reading “HERpothesis Coloring Pages”
Catalysts, Explorers, and Secret Keepers: Women in Science Fiction aims to immerse the reader in a world of science lore that was built by women.
By Julia Arciga
Illustration: “Scholars’ Tower” by Julie Dillon (2014), courtesy of Catalysts, Explorers & Secret Keepers: Women of SF Kickstarter page
From Mary Shelley’s Frankenstein to her more contemporary counterparts, women have always had a full, strong voice in the written science-fiction realm. Now, The Museum of Science Fiction’s Journal of Science Fiction is creating a full anthology celebrating women in sci-fi storytelling.
Catalysts, Explorers, and Secret Keepers: Women in Science Fiction is a “take-home exhibit” from the museum that aims to immerse the reader in a world of science lore that was built by women.
“Ultimately we want to highlight and underscore [the role of women in sci-fi] with this project,” said Monica Louzon, managing editor for the Journal of Science Fiction. “I see a blog post about the issue here and there, and some women have won Hugos this year and that brought a lot of attention to women in sci-fi— but women writing science fiction is nothing new.” Continue reading “Take-Home Museum Exhibit Celebrates Female Sci-Fi Writers”
This is far from just a simple cybernetic love story.
By Melody Xu
Collage by Alex Hanson, using the cover art from He, She, and It
The year is 2059. After the Two Week War of 2017 which nearly destroyed human civilization as we know it, the world is now run by twenty-seven enterprises — commonly referred to as the multis — which have formed their own social hierarchies and standards of living. However, most of the population lives in the barren and nearly destroyed world (the glop) that exists outside of the multis’ enclave, a place that is overrun by poverty and crime. Despite the huge gap between the rich and the poor, technology has never been more advanced. People in this new world communicate by plugging themselves into machines and projecting themselves into Cyberspace. This is the world of He, She, and It.
In this 1991 cyberpunk novel by Marge Piercy, the story starts with artificial intelligence expert Shira, who lives in one of these multis, Yakamura-Stichen (Y-S), losing custody of her son Ari to her ex-husband in an emotional custody battle. Afterwards, she decides to live the heavily controlled confines of Y-S in order to return to her hometown of Tikva (which means hope in Hebrew). Tikva is one of the few last “free towns” left in the world, remaining unallied with any of the twenty-seven corporations. However, in Piercy’s future world, where information is even more precious than gold, Tikva has been under the attack of “information pirates”, dangerous computer programmers set on unlocking the secrets of the town’s mainframe. The cyborg Yod was illegally created for the single reason of combating these attacks. However, before Yod can protect the city to his full capacity, the cyborg must be able to pass as a human and Shira is tasked to help it with its socialization. During their time together, they eventually fall into a romantic relationship and become allies in both fighting to protect Tikva and for custody of Avi again. Continue reading “Cyborgs and Technofeminism: The World of He, She, and It”