By Melody Xu
Illustration by Alli Lorraine
There’s a story that my violin teacher used to tell me.
It’s about a composition officially known as the Violin Sonata in G minor by the talented Italian composer Giuseppe Tartini. A brilliant piece, split into four movements, it’s known for its complexity in sound and difficulty in playing, but it is not those qualities that made it stand out to me. Instead, it’s the story behind it. Apart from its official title, it’s also known amongst musicians as the Devil’s Trill.
Allegedly, Tartini has made a deal with the Devil, his soul in exchange for servitude. One of those nights, he had commanded the Devil to play his violin and the sounds that had escaped from the musical instrument had left him enchanted, enthralled, enlightened. He was so captivated by the unworldly sonata that the Devil performed for him that Tartini immediately tried to capture what he had heard into a composition of his own. Although it ended up being his favorite and best sonata, Tartini later admitted that what he had composed paled in comparison to what he had listened to. He wrote that if he had been forced, he would give up everything, destroy his own precious violin and forsake music forever, rather than have to give up the feelings and emotions that the Devil’s music had invoked in him. Continue reading “The Devil’s Violin”